
It is not stupid to think that birds might play, and here from the clifftop it has always looked as if that is what the fulmars were doing: the endless, repeated turns, first on one great circle and then another, skaters outlining discs on the ice, stiff-winged, patient, waiting for the long rotation to take its form, a series of geometries, as if the birds were cutting shapes through the paper of the air.
The air doesn’t always comply. Now and then a strange lack of certainty runs through a fulmar, even as it makes these Euclidean digrams beneath you, a whole-body hesitation, coughing in mid-flight, when it shudders and disassembles, all sleekness gone and all purpose paused, as if waiting for the data stream to resume, which it then does, and the long effortless gestures, milking energy from the wind, continue from one end of the ballroom to the other.
Continue reading “The Seabird’s Cry – Adam Nicolson” →